Guitars
1988 proved to be
one of Carvin's
most successful year to date, largely due to the complete new lineup
of guitars and basses. But rather than rest on their laurels,
they introduced new options, new features, and even a new model, the
DC145. 1989 would also mark the last year for the SH225, a
model that had been in Carvin's lineup since 1981.
Click each picture for a larger
version.
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The DC200 and other guitars based on
this body shape received a minor redesign - the horns were softened
and rounded slightly, and the upper strap button was moved to the tip
of the horn, rather than on the underside as in previous years.
One of the more innovative new options
for 1989 was the tung-oiled finish on the back of the neck. This
has become a hugely popular feature to this day, and many guitarists
swear by the increased speed this option provides. Tung oil was
also offered for the first time as a finish over the entire guitar. Other
options, such as painted headstocks, Dunlop straplocks, no fingerboard
inlays were further showing the direction Carvin guitars and basses
were moving. |
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A new tremolo was added to the available
models in 1989. This is the Kahler 2710 model (left), which is a
fulcrum model similar to the Floyd Rose, which was also
available. Carvin's first-offered tremolo, the Kahler Pro, was
also still offered.
A new color were added to the gradually
increasing selection. Translucent sunburst, which was available
on standard or flamed maple, led the way for future burst
finishes. |
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All Carvin guitars had
a new standard bridge/tailpiece combination in 1989 - the ST6 and
TM6. The LP6, although no longer standard, could be ordered
from the Parts Department. The M22 and it's variants were still the standard pickups, and Carvin also offered
several single-coil and stacked humbucker pickups as replacements
for other guitars. |
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The DC125 (left) was
unchanged from 1988, with the exception of the modified body shape
mentioned above. Base
price on the DC125 jumped to $499, but the hardshell case was
included, for a net increase of $40 over 1988.
The catalog photo showed a
DC125 in Pearl Purple, with Floyd Rose trem and black hardware.
The DC135 (right) was
also unchanged, with a single M22SD pickup and a pair
of H11 stacked humbuckers. It had a single volume and tone
control, and 3 on/off mini switches (for each pickup). Chrome
hardware was standard, as was MOP dot inlays. Floyd Rose or
Kahler tremolos were optional. Base price on the DC135 increased
to $599, and the hardshell case was also included.
The catalog photo
showed a DC135 in Pearl Blue, with Kahler Pro trem and black hardware.
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The Ultra V got a new
two-page catalog spread, showing the scalloped body edges that were
introduced in 1988. It had all the features and options of other Carvin
guitars, with the exception of left-handed models, maple fingerboard,
and 3X3 headstock. Electronics consisted of an M22 in the neck
position, and an M22SD in the bridge position, with single volume and
tone controls. Base price on the Ultra V was $559, with the hardshell case.
The catalog photo
showed an Ultra V in black, with Floyd Rose tremolo and gold hardware.

The V220 (below, right) was in
it's last year of production, after a very successful 5-year run. Construction materials and techniques were the
same as 1988, including neck-thru design, rock maple
body and neck, ebony fingerboard and MOP inlays. Electronics consisted of an M22 in the neck position,
and an M22SD in the bridge position, with dual volume/single tone
controls, pickup selector, and coil splitters. Base price on the
V220 was $579, which included a hardshell case.
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The '89 catalog
showed this interesting photo of guitarist Vinnie Vincent,
which was taken from his video "Love Kills". Although
the X100B stacks are obviously Carvin, less obvious is the
one-off VVV Carvin that Vinnie is playing (VVV = Vinnie
Vincent V). This evidently was created as a
counterpart to the Jackson VVV's that Vinnie normally
played, which were originally designed for guitar legend
Randy Rhodes, but never went into production due to Randy's
untimely death. The Jackson models were made from 1986
to 1989, and the above Carvin model was made sometime around
1988. There were subtle differences between the Carvin
and the Jackson - noteably, the Jackson had a standard inline headstock
and sharkfin inlays,
versus the reverse inline headstock and block inlays on the Carvin. |
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The catalog photo
showed a V220 in red, with Kahler Pro trem and black hardware being
played by Marty Friedman. New for 1989 was the DC145
(on left).
This DC200 variant had a new body style, similar to the DC200 series,
but with rounded horns (an option that was offered on all DC200-style
guitars). Electronics consisted of an M22 in the neck position,
M22SD in the bridge position, and H11 in the middle, with a 5-position
pickup selector switch, single volume control, and coil splitter that
was wired to the M22 and H11. The reverse inline headstock was
standard, and was the only choice offered. All other options
were available. The base price of the DC145 was $629, which
included the hardshell case.
The catalog photo
showed a DC145 in Pearl White with black hardware and Kahler 2710
tremolo. |
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The DC150
Stereo (left) had a few minor changes in 1988, and the catalog photo
showed the new tune-o-matic bridge and tailpiece that was being used
on Carvin hardtail models this year. Another minor change was
the reversion back to M22 pickups versus the H11's that were standard
in 1988. The stereo electronics included dual volume and
tone controls, pickup selector, and phase and coil switches.
Base price on the DC150 Stereo was $629, which included hardshell case.
The catalog photo
showed a DC150 in black finish with chrome hardware.
The DC400 Stereo
(right) was again the top of the line model. Electronics were the same as the
DC200 Stereo, abalone block inlays were standard, as was any choice of hardware color. Base price on the DC400
Stereo was $879, with hardshell case.
The catalog photo
showed the DC400 Stereo in translucent yellow, with koa neck and body, Kahler Pro tremolo
and black hardware. |
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The DC200 Koa
was also basically unchanged, except for the new body sculpting and
new bridge/tailpiece. Electronics
consisted of standard stereo wiring, and a pair of M22 pickups with
dual volume/tone controls, pickup selector, and coil/phase
mini-switches. MOP block inlays were standard. Base
price on the DC200 Koa was $729 with hardshell case.
The catalog photo
showed the DC200 with standard bridge/tailpiece and optional gold hardware.
As in 1988, the DC200 Stereo
(right) was identical to it's koa counterpart, with the exception of the
finish. MOP block inlays were standard,
but dot inlays could be ordered, as could the traditional or V
headstocks. Base price on the DC200 Stereo was $679 with
hardshell case.
The catalog photo
showed the DC200 Stereo in Deep Pearl Blue, with Kahler Pro tremolo and
gold hardware.
The DC120
was a twelve string version of the DC200 Stereo. Dot inlays were
standard, as were H11 stacked humbuckers. The 12-inline headstock
had evidently been discontinued as an "official" option, but
may have still be available. Otherwise, it was the
same as the DC200. Base price was $719. |
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The DN612 and
DN640 reverted to traditional headstocks for 1989, and received the
new bridge/tailpiece combination as the other models. Electronics
consisted of dual M22 humbuckers on the 12-string and 6-string, and
H13B's on the DN640 bass. Each neck had single volume and
tone controls, phase switch, and dual coil/single coil/off switch for
each pickup. The DN640 featured the same configuration, with
H13B pickups on the bass neck. On both models, there was an
input for each neck. Base price on the DN612 and DN640 was
$1199, including hardshell case.
The catalog photo
showed the DN612 in black with gold hardware.
1989 was the last year
the SH225 would be offered, at least officially.
Features and specifications were the same as 1988, and the new
bridge/tailpiece was standard, and tremolos were evidently no longer
offered. Base price on the SH225, with form-fitted hardshell
case, was $899.
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